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I heard a soul song created by AI today that made my chin drop, because it was that good. The time when AI will create music, literature, and visual art is just around the corner. All the more need for you to develop yourself as a brand. If your readers want to read human work versus AI, if they are going to avow to only support a human being, you to be quite evident online as flesh and blood. You need to not only prove you live and breathe but that you might be an interesting human at that. The days of just writing and not being seen are about gone. Get a website. Establish a social media presence. And write. Be proof that you are not a machine. As much as we can whine about this situation, it is there regardless. Put yourself up there and show readers that your stories were genuine and from your human core.

If there’s a single lesson I’ve learned in writing full-time, it’s that emergencies are inevitable. Food budgets run short, bills pile up, or there’s a medical situation or repair that needs urgent attention and grains time and money—often when the next publication date is far away, as is the payment for same. Here’s how to find writing jobs that might pay quicker. Connecting with Known Clients Start by connecting with your known and trusted clients. Ask if there’s any current work or writing project, and there might be an opportunity. A known customer relationship is an easier start for making money-in-a-pinch than finding a new editor who may take weeks to approve fresh copy. Great Bridge Links, Gifts for Mystics, and FundsforWriters have been supportive of my writing (and thankfully) for many years. I can query them, and they already know my writing quality and work ethic. These established markets are worth their weight in gold. Agency Overflow Create a list of content agencies and refer to these for overflow work. Contact these agencies and ask them to place you on a list of overflow, emergency copywriters. Most agencies keep a list of these for when their staff (or regulars) are unable to More

I personally had this question not long ago, with the advent of Hidden on Edisto, book 13 of The Edisto Island Mysteries. With the onset of Anthropic’s $1.5B lawsuit settlement, I realized just how important copyright could be. If I could afford to file for copyright, why not do it? So I shot off a copyright request for the manuscript of Hidden on Edisto, pre-publication. It was accepted and processed. There, the odds of my work being stolen were less. But then I wondered. . . how does someone like Anthropic, and the lawyers settling the lawsuit, find an unpublished manuscript? How do they know when it becomes published? Do you refile copyright again? Is there a preference on filing before or after publication? So I called the US Copyright Office and spoke to a specialist. She stated a copyright was like a chain of title on a piece of real estate. You still own the deed, so even if there are changes on the property, it’s still listed as yours. So if an unpublished manuscript has copyright, then becomes published, there is no need to file again. The Author’s Guild, however, suggested otherwise. You could get lost in the fray and be accidentally More

Once upon a time, there was a girl, and from an early age (10), she knew she wanted to be a writer.  She went to college to study writing.  After she was done with her schooling, she got her first full-time teaching job.  This was in 1990.  But she ran into some bad luck in 1991.  She was diagnosed with bipolar illness.  And this wasn’t the end of her experience with sickness.  Decades later, in 2011, she was diagnosed with breast cancer.  Yet, she wanted to look on the bright side, so she became a wedding speechwriter.  She got a dog to help her cope.  Her writing and her spirituality carried her through, and today, her bipolar disorder is managed, and she is cancer-free. So, how does a freelance writer publish more and, consequently, make more money?  By mining all of her personal interests. Write about (almost) everything you know.  I say “almost” because there are some things writers should keep unwritten.  We all have our secrets, and this is good, even in the writing world. Below are some of my interests (niches) and how I’ve turned them into publications and cash: Education – As a teacher for over 40 More

I have preached many times about being careful promoting your religious, political, and social opinions. Yes, you have the right. But also, others have the right to delete, cancel, and cease reading your work when they can’t put that off to the side when they see your work.   Stephen King expressed his opinion recently that hurt his sales. Some bookstores ceased carrying his books. Rumor has it he lost a movie deal. The argument is that he had the right to speak his mind. Yes, he did. And bookstores and readers had the right to not read, buy, and promote him anymore. Maybe he chose that route. Maybe he didn’t quite realize the ramifications. Maybe he’s made enough money not to care. Some say it was a mistake and others think he had the right. I agree with both sides. But the bigger picture is this. 1) He damaged a reputation he spent a lifetime creating. 2) A lot of people who have his books on their bookshelf regret the time and money they invested in him. 3) A lot of employees have lost money in the publishing, bookselling, and movie business because of him being cancelled. That last More

‘When talking to an agent or publisher about your novel, practically the first thing out of your mouth should be the genre,’ says agent Rachelle Gardner. With so many books out there, readers need help finding the ones that beckon. Genre is a key tool for that, with each genre bringing its own set of expectations. Thrillers offer high stakes and tension, for example, while a romance leans towards feeling and relationship. Genre is not an exact science, though. Although most books will fit into more than one, it’s impossible to write a book that can’t be helpfully described by genre. You wouldn’t want your book to be so different as to not fit into a genre, because then how would market it? It’s useful to think about genre at the planning stage, too, as it will affect the way you think about plot, pacing and character arcs. If you’re planning a cozy murder mystery, for example, it will be long on clues and red herrings but short on gore and police procedure. Tips to help you nail down the genre of your book. Think about audience age. Non-adult books should include the target audience as part of the genre description, More

Substack is all the rage. You can write in newsletter/essay form and start building a platform, because opening a Substack account makes you part of an instant community. New writers are jumping on it. I am receiving queries from people who claim their publishing credits are their Substack articles. A lot of writers are throwing their energies into fleshing out their Substack account, thinking it gives them credibility. I think some are seeking shortcuts to the hard work of gaining a platform. Pros It is simple and lo-tech. (Some cancel a website in exchange for Substack.) You own the mailing list. Your message is delivered both on the site and via email. It has good SEO for search engines. You can amass paid subscribers. Cons It doesn’t replace email marketing. No landing pages, signup pages, or lead magnets that a lot of businesses use. Design is limited. The only way to monetize is via paid subscriptions. No selling ebooks, courses, digital products, merch. Must use another platform. You are basically renting space on Substack. They can delete your account. While you have the mailing list, if your account is deleted, you can lose all your material. No affiliate marketing. No heavy More

I reached a point this week where I was fed up with all the emails about how to market, buy this, subscribe to that, hire this consultant, or sign up for that course. “Become a best selling author!”  Most are from people I never heard of before. Clearly many of these people made all their money from preying on eager writers. I’ve tried talking to some of them, to vet them, and their true colors often come out. They don’t give a darn about what you or I do. I’m not saying they aren’t legit, or even that they are scams. Many are just into milking desperate writers for a few bucks. And all I could think of was how much these purchases and incessant emails got in the way of me enjoying the simple task of writing. Some are good. Some intrigued me. I got blown off by one, so I unsubscribed. Many of them are in the job for now, until sales drop, then they redesign themselves to be something else for what appears to be a fresh idea for a new round of buck-collecting. What I am saying is this about these people trying to make money off More

A recent library fundraiser featured Abraham Verghese, author of The Covenant of Water. Instead of standing at a podium talking at us, he engaged in conversation with Rebecca Makkai, author of The Great Believers. . They sat in easy chairs on a dais and discussed Verghese’s book, writing habits, and philosophies of life. For the release of my historical novel, Courting the Sun, I held a launch event at a local, independent bookstore. Christine DeSmet, writing coach and author of the Fudge Shop mystery series, served as my conversation partner. I chose her because I knew and enjoyed her interview style. Conversation partners are becoming an increasingly popular strategy for both fiction and non-fiction author events. Their draw includes the promise of a “two-for-one” experience. The audience gets an engaging conversationalist—often another author or notable person—eliciting the most personal perspectives from the featured author, along with the best, juiciest anecdotes. A casual but focused and authentic conversation about a book and its author, with the option of the author reading a preselected passage, can offer a truly meaningful and memorable experience for readers. The result is a greater likelihood that attendees will talk about the book afterward with other potential readers. Word of mouth can be a powerful mover More

In the recent and pending Anthropic $1.5B settlement, a lot of writers were disappointed that their work was pirated, used, yet they did not qualify for this settlement, which amounted to about $3,000 per pirated book. One of the main disqualifiers was not having filed a formal copyright with the United States Copyright Office. https://www.copyright.gov/ I read a recent article that cried foul a bit, saying a lot of writers had their work stolen yet they will not be compensated, because of this formality. Why do some writers file and others do not? Most traditional publishers automatically do so for each book, but self-publishing and indie published authors don’t often do so. What are the pros and cons? Pros 1) You demonstrate legal ownership. 2) You earn the legal right to file a copyright infringement lawsuit in federal court. 3) It’s easier to sell rights to a work, potentially increasing its monetary value. 4) Decreases odds of being pirated. Cons 1) Fees. Minimum $65. 2) One more nuisance step in publishing that will not likely generate a return. 3) To enforce in court is often a financial burden. 4) It protects the way an idea was expressed, but the idea can More