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Okay, so you’re a novelist by trade, but you’ve got a story idea you feel is just as well suited for a Hollywood film as a paperback. However, before you put ink to paper, you wonder whether it would be wiser to write the novel first and then sell the IP (Intellectual Property), or just go directly to the screenplay. Might one format be an easier sell in Hollywood? Could the benefits of one route outweigh the other? Are there pitfalls that make one less desirable? Like so many choices, the answer often rests with you, the writer. What’s the Same In both circumstances, the process usually starts with a concept that lends itself well to the medium of film through strong visuals and a clear genre for easy audience targeting. If you manage to draw the attention of a producer, the next step usually involves optioning your material to him. This entails giving him an exclusive period of time with which to develop, package, finance and ultimately purchase the rights to your intellectual property. In either case, be prepared for changes to creative direction, including being adapted or rewritten by others. Producers will often want latitude to modify story More

Media coverage from bloggers and newspapers is part of the writing journey since this is how readers discover their favorite authors and how ‘public figures’ remain relevant. Here’s what I learned about promotion working for Crossed Crow Books. Starting with Crossed Crow Author Raven Digitalis asked me to promote A Gothic Witch’s Oracle Deck (Digitalis/Santerineross). in 2023. This turned into a referral to his publisher, Crossed Crow Books and soon I was promoting some of their other titles. As an author, you could publish a fantastic book this second, but sans reviews, interviews, and coverage, you won’t do more than float copies around to friends and family. First you send hundreds of emails for a handful of great responses! Keep going. Finding People One huge chunk of authors and book promotion is research such as finding news websites, journalists, blogs, and influencers. The big question is which people are most likely to be interested in what you’ve got to sell. Crossed Crow Books publishes “occult books specializing in Witch rituals, magic, divination, spirit work, and the overall operative nature of the Witch’s craft.” Therefore, I looked for publications and people (influencers) within their specialty. Feedspot lists various Wiccan and other blogs, Reddit has discussions about witchy More

By copycatting, I’m talking about you copying someone’s style, plagiarizing their description, stealing a story concept, or using AI. The creative world is anti-AI, in case you hadn’t noticed, and regardless of what those using it are saying, readers do want to know if a human or machine wrote it. Readers are not ignorant creatures who only want a good story regardless where it comes from. To think so is being insulting and naive. What copying says about the writer -you do not respect the reader -you do not respect yourself -you feel you don’t have enough talent -you are not beyond cheating to make a buck The second that many readers hear that you used AI is when you lose face. Readers assume you don’t have the skills to do it from scratch. Readers see you as a thief and a con and lacking talent. You can argue that you learn from what AI does for you. No, you don’t, because you didn’t use that part of your brain to learn it. You let something else find an answer and you just copied it. You didn’t learn it. We can only pray that one day originality will be compensated More

For years, I’ve counselled writers to avoid religion and politics in their branding unless they are part of their brand. There are always potential readers on the other side of the fence, and with so much competition for book sales, do you really want to alienate a chunk of them? There’s another category rearing its head in this accidental culling of your own market, too, and its totally different than religion and politics. It’s AI. When some readers (more than you think) learn that you might have used AI in the creation of your work, they put you on their do-not-read list. You can call it unfair or not. You can call them troglodytes. You can call them out of touch for not keeping up with progress. But you know what? You still will not sell them a book. But what does that mean? What if you cannot afford a cover designer? What if you just used AI on the cover but not the copy, or vice versa? What if it was used for brainstorming or editing or rewriting a chapter? None of that matters. If the reader who avoids AI hears you used it in any fashion, regardless of More

I’m not a talented writer. I’m not even steeped in writing qualifications. Yet my website is splattered with published features. How? In three words – pitch, ballsiness and research. Pitch – Turtles inspired me to write. While out having coffee, I noticed a company advertising string bags as alternatives to plastic ones. Not very interesting in itself. But, paired with the emotive side that turtles suffer an untimely death by eating an upturned plastic one, I had an idea for a pitch. Ballsiness – I’d never written a pitch so bought a book on how to write a good one. ‘I can try that’ I decided. I found a UK women’s magazine aimed at seniors and read it from cover to cover three times. I’d hit on a topical issue, the editor was interested! Research – The editor guided me. She wanted more ideas for plastic bag alternatives and quotes from supermarkets on how they intended to eliminate them.  Internet searches gave me suggestions for bags. I emailed supermarkets’ media departments (found on their website) to obtain spokespeople. The article was published. Beginner’s luck? Well, yes and no – I continued to work freelance for the magazine for two years. Discovering our local More

Once upon a time not long ago I did an event where several authors appeared. It was at a library. The library didn’t advertise except in its own material to its patrons. They thought the writers would really appreciate the recognition. I asked if they had advertising prepared that I could use. No. I mentioned I would promote via my channels. They thanked me. I asked if they had asked the other authors to do the same. No. So I asked who the other authors were. (I had no idea.) Then I did ads. I sent them via all my channels. I crossed my fingers this was worth the travel and the time. I have done this multiple times over the years, learning a hard lesson each time, but apparently not learning it permanently. One would think I would have. Now, however, my rules as a whole are these: -Get paid to appear unless the sale of books will adequately compensate. -If I speak, present, or teach a class, I get paid, regardless of sales. -Avoid multiple author events. . . anywhere. The average visitor buys 1-3 books regardless how many authors are there. When there are many authors, do More

When I started submitting my work in 2017, I didn’t have an author bio. At the time, I thought the writing should speak for itself. The bio felt like filler; plus, I had no idea what to say about myself. I didn’t have a long list of publications yet, and the thought of writing two or three sentences to sound polished and legitimate made me want to crawl under the bed. Then I received my first acceptance, and the editor asked for a short bio. I stared at that email as if handed a pop quiz for a class I forgot I was taking. Up until then, I’d put all my energy into getting a yes. Suddenly I had to explain who I was in a few lines. The whole ordeal made me realize the bio wasn’t just decoration. It was part of being a working writer. 1st Author Bio: Bethany Bruno is a born and raised Florida writer. She received her Master of Arts in English from the University of North Florida in 2016. She’s working on her debut novel, “From the Passenger Seat.” Since then, I’ve published in many more journals and magazines, and I’ve come to see the More

As freelance writers, we struggle to find markets that suit our interests. Even sites dedicated to providing freelance listings, while excellent for the most part, can’t list every available market. Often, the smaller niche publishers aren’t even included in listings, but with some effort there are ways to find them. Search Medium for [Subject] Writers’ Guidelines or Article Submissions Medium is widely known as an online home where writers can create their own home for their stories and content. However, it has become much more than that, having also evolved into a search engine and a powerful tool to find markets you never even knew existed. By searching for your subject, you can also narrow the returns for those journals and/or sites. For example, I searched for “lifestyle writers guidelines,” and the guidelines for Cosmopolitan Magazine showed up alongside The Lifestyle Café which had a listing for “Writers Wanted.” A little further down in the search I found more guidelines for Wellness Travel Adventures and for a site called Ice Cream. There were also articles with publications that paid lifestyle and health writers. While some Medium content is behind a paywall, there is still enough available to make this worth your time to search. Magazine More

Believe it or not, online sites and magazines are seeking freelance writers they can rely upon. And if they develop a reliable relationship with them, they’ll use those writers as long as they can. The reason? Reliable writers who can follow direction, think intelligently, and write well without AI are few and far between. I am one of those editors. I just received a submission from someone new. Oh my goodness, her work was well written, all guidelines followed, and the thought well presented. I bought the article and extended an invitation to submit again. People, those invitations are worth their weight in gold. 1) Look for guidelines first, then follow them to the letter. 2) Never ask an editor is they are looking for writers. Why do you think the guidelines are out there? Don’t make the editor answer because you are too lazy to. Asking me that earns you instant rejection. . . or no reply. 3) Respect the market by knowing it well. Respect the editor by not asking if you can pitch, telling them how reliable you are, or asking for ideas. Editors are strung out and juggling a lot of balls. They don’t need anymore More

A week doesn’t pass that someone doesn’t write me and ask what books I recommend on learning how to write well. And I never fail to go to a conference and not meet a writer who thrives on how-to-write books, with a library of two dozen or more. To them all, I preach this: The best book to learn from is one already published, successful in its own right, in the genre you wish to pursue. Take that baby and read it. Then start over and dissect it. Underline, highlight, write in the margins, and dog-ear those pages. Cross through what you didn’t like. Circle the breath-catching phrases. Underline and star the sentences you wish you’d written. Nothing beats the doing. Nothing beats learning from those who have gone before you. Nothing beats seeing greatness and backing into how it came to be. Your best instruction book isn’t a how-to book. It’s a how-it-was-done book. And any author worth their clout can’t recall a how-to book that shaped their writing more than having read the classics, the best-sellers, and the popular books that made them go WOW in reading them. That said, I am reading How to Write a Sentence-and How More