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An individual wrote me asking this in pretty much these words. They had a children’s book out, a month or more old and hadn’t garnered a single review. They asked how to get reviews and how to get their book on a list that others would see. So many writers push to get a book out then look around stymied and wonder, What now? Then a few weeks later when they hear nothing but crickets, they wonder, What happened? I didn’t read the book. That horse is out of the barn, and I didn’t want to pass judgment on quality of work. I had to assume the book was edited and formatted properly and came off as professionally done. The cover was great. Then I replied with the following (no name listed because they don’t need this kind of attention from the general public). Dear Friend, Afraid you didn’t even tell me the book title so I could look it up on Amazon. I had to search for it using your name. Anyway, here you go on what to do from here. 1) Never write anyone without mention of the book (and link) in your byline/signature block. 2) Where is your website? 3) More

I had a philosophical discussion with someone this week who didn’t like the way a particular state they visited did certain things. I don’t want to get into a political discussion here, so I’ll keep it general. I also won’t mention the state. I’m a rather live and let live type of person. I told them if a state does things I didn’t like, I don’t go there. I don’t live there, therefore, it wasn’t my place to tell them how to live. They took issue. They didn’t like the state’s rules and laws. Also, with a live and let live mentality, I told them they could think like they wanted to, but you don’t enter someone else’s house and tell them how to decorate it, clean it, or secure it for the night. Same goes for writing. When you pitch to a magazine, site, or company, you offer them your services in hope they can use your talents. You do not submit a pitch that isn’t a pertinent topic, has the wrong word count, or assumes a voice the company doesn’t prefer. You offer them what they believe they need. . . not what you think they need that More

Being a writer is a personal decision; we choose to share our stories in order to be seen but what about the privacy of the other people involved? A couple of years ago I pitched a personal essay about my first Christmas in the UK with my partner and his family. It was a warm, light-hearted piece about finding a home away from home. The editor had some initial questions, the last one being if my partner and his family would be happy to be pictured and named. I knew my partner well enough to know that with his militancy around privacy there was no chance. He has no social media presence and is not interested in being online in that way; if I’m chronically online then he’s the complete opposite. I emailed the editor back explaining that while his family may be OK with being named and pictured he would not. She chose not to commission the piece based on this fact. I was frustrated but not surprised. It makes sense that such a personal story demands details and photos. But did the lack of someone else’s participation necessitate the death of the piece before it had even begun? More

I’m a writer and author working at Op Cit (https://johndunnshops.com/project/op-cit-books/ ), a locally-owned, independent bookstore in Taos, New Mexico. They’re also in Santa Fe. Formerly called Moby Dickens, the Taos shop has been open almost four decades. My fifteen years of employment there has provided me with insights worth sharing. First, the sheer volume of books published every year. Numbers range from 500,000 to one million for traditionally published books, which averages from 9,615 to 19,230 new releases every week. When you add self-publishing, the annual numbers soar to four million. Add the zillions of already existing books and you get an inkling of the challenges facing bookstores—and libraries as well. And writers. Generally, bookstores buy what they can afford; what fits on the shelves. Of course, every shop is different: in size, aesthetics, specialties, and so on. Op Cit is mid-size, with thousands of books occupying two floors. To keep informed, we review catalogues, trade publications like Publisher’s Weekly and Kirkus, bestseller lists, and customer recommendations. We order mainly from Ingram, sometimes directly from publishers. If Amazon is the only place to get a special customer order, we do that too. Shoppers come in all shades. Some look for new More

I received an email from a frustrated reader this week. This excerpt pretty much sums it up: “I’m still doing medical and legal transcription (keystrokes for pennies) which leaves me unfulfilled and often angry about writing.  I think this is what prompted me to reach out – your writing prompted by anger (see last week’s newsletter). Heck, I could likely write The Art of War if I could channel the anger into writing.” They asked me how much time I spent doing copywriting/freelancing. Instead of answering just that, I replied giving a more overall viewpoint of my income. Basically my writing time is broken into these areas: Novel writing (and its marketing) Copywriting/magazines/freelancing in general (and its marketing/pitching) Writing/researching for FundsforWriters (which generates advertising income) Now, there’s a difference in writing time and writing income. I know of few writers who write in one area (at least for very long). Of course, in the beginning the copywriting/freelance writing makes more income because novel/book writing has a long tail approach to making money. Having as many novels as I do now has allowed that balance to catch up. . . when it comes to money. Right now I earn a third of my income More

When I am sad, mad, frustrated, or disenchanted with life, I usually do one of two things . . . write or go outside and absorb nature. Recently, since I’d spend the previous two days in nature planting a very large garden, I chose to go to the keyboard. I shut the door and wrote. Some might argue that such writing would be less than stellar. Some might argue that the storytelling would be flawed without my head totally in the game. But I landed 1,400 words. I had to fight for those words. I had to dig down to find those words. I had to fight with the angry self inside me wanting to go outside and throw rocks in the lake. But I wrote half a chapter. Looking back over the material, I cannot tell you which words those were, because they sound just like the words I wrote when I wasn’t upset. Just sit and write. People who wait until they are in the right frame of mind are missing a lot of word time. Not to mention the therapy sort of settles my angry little butt down.

Corporate blog writing lets a writer step into the name of a company or brand, creating posts to promote or inform readers and entice possible customers. Corporate blogging isn’t sales copywriting, but instead content that keeps customers and readers coming back to a site or blog because they crave more. Here’s how corporate blog writing works. What Are Corporate Blogs? Corporate blogs still promote companies or products, but is different to sales content or short copywriting. Corporate blogs have regular posts, which readers should find interesting, share, and come back for. United Locksmith has a blog for learning about locks, keys, and mechanisms. It’s useful to readers. But actually, it also promotes the company. The Will It Blend? YouTube series used crazy ideas to sell blenders: in controlled environments, items like iPhones went through Blendtec products – and the company paid for this. Personally, I wrote for a credit blog, taking out a payday loan myself in order to explain the process to MyCreditStatus readers. There’s always promotional action in corporate blogs, but the writing has to be subtle, interesting or informative to the audience. Getting Noticed You can’t do all your promotion and reaching out via about social media. The corporate sphere involves businesspeople, More

There isn’t a better compliment on the planet than this. I was at a book signing, having just spoken to attendees about how I got to where I was with writing, and how I put some of my stories together. We got to the end, when folks bought books and came up to speak, and one woman blurted that out. “You look like you love what you do.” I get that a lot. The other line I get is, “You are living the life.” But what amazes me is that people talk about it like it was all luck. Or that that what I do is completely outside their reach. When I speak to writers, I tell them to embrace writing. Set goals. Study writing. Read lots of books. Live the writing life. It isn’t supposed to fall into your lap. You carve your way. You write…a lot. You edit…a lot. You seek guidance. You pitch and you cast aside rejection as nothing more than an educational step toward publication, learning from the stumbles. Writing made me so happy that I set up a plan to write fulltime. It is not easy. Those were lean years. Luckily I had a More

When my youngest of three children started kindergarten, I returned to teaching English at the community college after a ten-year hiatus. I became so disillusioned with problems in the classroom (students texting under desktops and aggressively asking me to alter their grades), I decided instead to teach adults who were in love with writing. I applied to teach at a writing retreat in the desert that I would end up returning to for three amazing retreats. (A Room of Her Own Foundation has since moved to online offerings.) Because I was still raising children, everything I pitched had to be joyful, stress-free, and cost my family minimal outlay. Though poetry remains my first love, by the third retreat, I landed on a “tangential love” for an opportunity that might provide an income stream on the side. Back in college when my love-life imploded, I discovered the tarot, a tool for looking at aspects of our lives we don’t understand. A tarot deck is like a deck of playing cards, only there are 78 cards comprised of 22 soul cards (The Fool or The Lovers), 16 people cards (Kings and Queens modern deck-makers give contemporary names), and 40 “daily life” cards (challenges More

I received an email from someone with CAPS and exclamation points about a FundsforWriters sponsor charging for her services. The promotion promised the customer would attend and walk away with a pitchable submission. The reader was upset the promoter neglected to say in that sentence you had to pay $20 per month for the experience. (For clarity, the promotion did state the monthly fee several sentences down.) Bottom line, she was against the fee. Few services and products are free. Few services and products should even be free. Most things are worth what you pay for them. So many writers want to learn from those who have gone before them, but are not too eager to pay for the services. If you don’t want to work for free, why should anyone else? “How do I find a quality editor that won’t charge much?” Do you really want an editor that doesn’t charge much? A good editor earns a decent living because they are good and in demand. Wouldn’t that be who you’d like to guide your work? “How do I find free books on how to be a writer?” Just take a moment and reread that line. Basically, they are More