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Last week, in mentioning my hardline distain for AI in the creative universe, someone labeled me naïve in thinking AI wasn’t here to stay, mentioning technology. Admittedly, AI already has been in existence for a few years in that department, but now it’s crossing into creativity, and that’s utterly insulting. In my not-so-humble opinion. it will deteriorate writing, art, and music. Unless we handle it astutely. My suggestion is this. Make it a requirement that an author post whether or not AI was utilized in the creation of the words or cover. Our food has consumer laws mandating a list of ingredients so the consumer can make an informed decision whether to eat that many carbs, consume red and blue dyes, or allow preservatives into their system. When I, as a reader, want to purchase a book, I want to insure I get value for the dollar invested. It’s why I, and other readers, read reviews. I will even read about the author if I’m pondering whether to read someone I never have before. Personally, I want to support the author because I fully understand how important that support means. I also prefer to read something organically human, from the More

We all want to write that perfect script. One that will blow the reader’s mind and convince a producer to shovel copious amounts of money into our creation (but only once the strike finishes, of course). Unfortunately, this is much easier said than done, as the majority of screenplays fall well short of perfection. I’ve spent the last year pouring through scripts of all kinds like my life depends on it (it does actually); new ones and classics. You name a type of script, I’ve read it twice.  Therefore, I’ve decided to lay out the three biggest issues that newcomers tend to make when trying to crack into the industry as I see it. Confusing Screenwriting with Prose Writing: Novelists have always resented screenwriters because we seem to have less work to do. As you know, your screenplay is not written to make the New York Times Bestseller list; instead, it exists as a manual of sorts for filmmakers and their crew to breathe life into. Since pages from a screenplay generally have much more white space than those from our counterparts, you’d think that we screenwriters would revel in this fact; however, some still seem unaware that they are More

When we start anything in our lives, we stumble through it. Yet, for some reason, we don’t want people to know that we are stumbling. In fact, everyone in the world is stumbling through their lives, because the only way to grow is to proceed through trial and error, and you know what? We haven’t done most of this before. But a lot of people stop pursuing their dreams because they dislike the stumbling part. They are afraid of appearing novice when everyone has to go through that stage. They are afraid of making mistakes, when the only way to learn is by making them. So they stop in the middle of all the learning because it is painful to feel stupid. The successful continue to muscle through that phase (or multiple stages of that phase). Social media exposes a lot of stumbling. 1) We feel we must post our attempts on social media or we feel like we aren’t doing anything. 2) We feel we need pats on the back for just trying. 3) Trolls feel the need to demean our attempts, failures, struggles, and choices. We don’t have to post our attempts. We can just push through our More

Writers who know the nuances of WordPress can manage their own websites better — and be of more help to their clients by mastering WordPress as an extra skill. WordPress.com and .org As much as 40% or more of the internet uses WordPress to post blogs, manage websites, and create content. Learn this skill, and you can present something more to clients (or manage your own blog). WordPress.org is the version you want for maximum premium (paid) features, for business. WordPress.com is the platform to use if you’re still finding your way. Domain Registration Domains help people find things. Domains identify who you are, or what you have to offer. Writers can use their names as a domain like I have (alexjcoyne.com), and Hope has (www.chopeclark.com) while others may use their brand or business name (like www.thewritingroom.co.za or www.fundsforwriters.com ). Choose something easy-to-remember that can’t be mistaken for something else at a glance. I registered an extra domain, alexcoyneofficial.com to grab more traffic. Search for available domains, and pick your pricing guide. The more important you become, the more valuable your domain name becomes as well, but automatic renewal stops your domain from being snatched by someone else. Basic Pages and Posts Pages like About and Contact are More

As I tried to explain last week, pitches must be smart and cater to the needs of the editor and their publication first and foremost. Again, in my researching markets, I came across a guidelines page with great advice. Climate Change News posts detailed and informative guidelines at https://www.climatechangenews.com/write-for-us. In your pitch, explain: What is new? Whether your story is based around a single event, ongoing process or trend, explain why *now* is the time to read about it. Why does it matter to an international audience? Who are the main actors? To catch a reader’s attention, there should be colourful characters and/or tension between different interest groups. What sources would you use? Make the most of any hard-to-reach contacts, leaked documents, original analysis and on-the-ground reporting. What is your background? If you have not written for us before, include a short bio and links to two or three stories you have had published. Where is the action? For certain reporting programmes, we can cover reasonable travel expenses, by prior agreement. Is there a visual or audio component? While our reporting is text-based, good photos can elevate a story and we are open to multimedia ideas. The guidelines go into greater detail about More

I’ve had more than twenty surgeries from my eyes to feet, and my health has become accepted as one part of my writing journey. Ehlers-Danlos Syndromes (EDS) is a manageable group of connective-tissue conditions — shared by others like actress Jameela Jamil. It hasn’t slowed the writing journey down. Actually, it’s helped! Here’s how surgeries and medical costs can change your writing perspective, and what to do if you’re a chronically ill author, too. Selling My Own Story Lived experiences are powerful essays, which can be the right fit for many publications. My first medical story sold in 2009 as a Readers’ Digest short. Call it the writing bug, but I’ve written more about my medical experiences since. In 2018, when doctors believed my diagnosis to be a closely related condition called Marfan Syndrome instead, I sold Spider Hands: Writing With a Deadly Genetic Disorder to Folks Magazine. Since, I’ve realized my condition shares similar symptoms to Marfan, though is much closer to EDS. In 2021, I wrote an update about the signs of connective-tissue disorders for Bridge Base Online. Also branch out from your own story to find others worth telling: I’ve written for Alzheimer’s South Africa on the topic of cards and More

A lot of freelancers make the mistake of thinking that the publication they are pitching wants to know more about the writer than the topic being pitched. Please, understand that most publications are most interested in a quality subject that strongly pertains to their readers. Who you are matters little unless you are an expert in the matter and bring a large platform with you. In researching markets to place in FundsforWriters, I read dozens of guidelines. Some are fantastic. Others are vague, expecting you to become intimate with the publication rather than just read a submissions page. This one with The Woodlands Magazine (see pitch guidelines for Volume 3 here) gives a fantastic step by step on pitching to them. In my opinion, the template fits for most magazines. [Sentence 1] This is an attention-grabbing intro sentence that sets the stage for your story. [Sentence 2] This sentence elaborates on and explains the intro sentence. [Sentence 3-4] In this sentence, you explain the form the article will take and the main point it aims to make, like a thesis statement. You may add some other clarifying details about the main idea and why this story is interesting. [Sentence 5] You More

Rates are perhaps one of the most important considerations in freelance writing, yet authors seldom dare to adjust them or discuss them thoroughly. A writers’ rates are their income, and usually their food budget and rent. Here’s how to secure a better future . Rates and what’s fair Households have inflation and ‘bad months’, and so will your business. Rates are key to surviving the future. Charge what you are worth, and use industry guidelines as a way to calculate your own rate. Don’t be ashamed to charge what other writers are asking for their services. Otherwise, someone out there is earning smarter than you are. Consider rates suggested by organizations like the Professional Writers Alliance or South African Freelancers’ Association (SAFREA). Writer’s Digest publishes How Much Should I Charge in each of its annual yearbook issues, the latest having been written by C. Hope Clark of FundsforWriters. When expenses have gone up, remember it’s okay to raise your rates as long as people know about it (and the raise is reasonable for the current industry). It pays you to keep up with the going rates. It also keeps you looking professional. Different ways to charge There are different ways to charge clients: More

Right now I am reading The Idea: The Seven Elements of a Viable Story for Screen, Stage or Fiction, by Erik Bork. I don’t read many how-to writing books, but this one was a gift, and I decided to give it a go before deciding against it. I love it. It’s basic, understandable, with loads of common sense. Right off the bat, he states, “…reaching the right people is really not the hard part of succeeding as a writer. The hard part is creating something that the “right people” would be excited by if they read it.” If the story idea isn’t unique, the characters identifiable, their wants serious, the obstacles real, their efforts deep and burning, the struggle hard, the purpose relevant and important, it isn’t a story to tell. It doesn’t matter how well you write, if the story isn’t good, it will not sell. That logic right there is why 90 percent of rejections take place by agents and publishers. Yet I mentioned in my earlier comments above, that a well-read friend of mine stated she hated the story concept of a book she promised to read, yet once she got into the author’s voice, she loved it. It More

Sometimes, we just need to laugh at ourselves, but if you’re the kind of writer who enjoys writing humor, you can turn something funny into your next humor article or story. Doing so could mean your next sale! Anyone can write humor, but it takes a bit of practice to “get it right.” Humor is subjective; not everyone will think a joke is funny. But for the seasoned humor writers looking for more markets to submit to, many can be found and continue to sprout up on the internet. Humor writers can create many different types of work when it comes to writing humor. You can write about a personal experience or you can use it to write a fictional funny story. One common way humor writers turn real-life experiences into funny stories is to put their sense of humor to good use and write in a catchy, witty and unusual style. Your funny experiences may also be fodder for a story, whether it is a funny fictional account or something else entirely. Writers of fiction are always getting ideas for stories based on personal experiences, so keep in mind that you can take a funny experience and turn it More